The Frailty of Merit
Guest post by Rose Novick
Since a wariness of meritocracy is an ongoing concern here at The Sooty Empiric I was excited to hear that my friend Rose had written a short essay on the problem of merit in the Aeneid. I hadn't yet had a classics take on the matter, I was intrigued! And indeed it did not disappoint - the pagan rationalisation of cruel chance, the arbitrary anarchy of events that decides the course of our lives, is a wonderful expression of just that which makes achieving meritocracy so difficult. Since Rose graciously allowed me to post her essay here, without further ado here's her piece The Frailty of Merit.
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It is in Vergil’s world of incessant divine interference that the problem of induction becomes most acute. Here, even the most securely established regularity may be violated the next moment. This is true throughout the Aeneid, but nowhere is it more thoroughly shown than in Book V. At first, this book seems to fit strangely into the arc of the story: how do these exiles, still not arrived in Italy, find time or heart for a series of athletic contests. Later events in Book V more readily fit into the overarching narrative, but the games seem an awkward interlude. Not so. The book establishes the absolute dominion of divine will over merely human merit. The games show this in a relatively low-stakes context; the stakes rise rapidly as the book proceeds.
Within the first hundred lines of the book, we are given three references to the insecurity of human knowledge. First, from Aeneas’ helmsman Palinurus (all quotations are from Shadi Bartsch’s 2021 translation, Modern Library):
And then Aeneas himself, announcing the games:
And a few lines later:
Even the rising of the sun in the morning, that most dependable of regularities, comes into question.
As it happens, each of these expectations is met: Palinurus successfully guides the crew to Eryx; it is indeed the anniversary of Anchises’ death, and the sun does “light our mortal earth” nine successive times (and brings gentle weather, at least on the ninth day). The stage, however, is set: the security of our expectations is in jeopardy.
Then come the games themselves. The very idea of such athletic competitions—at least to my contemporary sensibilities—is to test one’s merit, that mix of innate ability and deliberate training. It is predicated on induction, on the predictable fact that (allowing for some fluctuation) the more talented athlete will emerge victorious more often than not. Yet in each of the games, with one possible exception, something other than merit determines the outcome.
In the ship race, Mnestheus is set to pull off a thrilling, come-from-behind victory over Cloanthus:
The gods listened: “Father Portunus himself propelled the boat / ahead” (V.241-42). Now perhaps Cloanthus merited the victory—he successfully pulled off a risky maneuver earlier in the race, and Mnestheus had not yet overtaken him—but it was not his merit that decided it.
In the footrace, merit would clearly award the victory to Nisus, who far outstrips the other runners. However:
Thus the best runner fails to win. Perhaps, though, we hold his slipping against him—a better runner would have avoided the slippery patch. In that case, Salius deserves the victory, but Nisus trips him:
While divine intervention is not the obvious culprit for the failure of merit in this case, it is noteworthy that it is blood from sacrifices that causes Nisus’ fall. And even if we do not attribute his fall to the gods, it is in any event not merit that decides the race.
The boxing match is the possible exception to the pattern: Entellus defeats Dares without any foul play, obvious accidents, or other interventions. Entellus is, moreover, a famed fighter. And yet he is also old and sluggish, and initially refuses to fight on those grounds. Dares is clearly favored to win. However, after Dares knocks Entellus to the ground, Entellus rises and, inspired by a mix of rage and shame, furiously attacks Dares, winning the match. It seems fair enough, yet here is how Aeneas comforts Dares:
Whether there was divine intervention or not, the deviation from expectation is attributed to such interference.
In the final game, archery, things are quite straightforward: the archers must shoot a dove tethered to the top of a mast. The first archer, Hippocoön, hits the mast. The second, Mnestheus, comes close, but ends up merely severing the cord without hitting the dove itself. The dove is now flying freely, making it even more impressive that the third archer, Eurytion, successfully shoots it down, as Vergil describes in this gorgeous passage:
So far, so good. But Acestes remains, and though “the prize was gone[,] / He shot his arrow to the heavens anyhow” (V.519-20). The outcome:
This is taken as a sign from the gods, and Acestes is awarded the prize. Merit has, once again, failed to decide the match.
I have gone through the games in such detail because they foreshadow the more momentous happenings of the second half of the book. After the games, as the youth are performing a mock battle on horseback, Juno sends her messenger, Iris, to perform some mischief among the Trojan women:
So disguised, Iris urges the women to burn the ships. Have they not had enough of traveling, of the uncertainty of exile? They have found a friendly shore. Why not stop there. But one of the women, Pyrgo, has good sense, saying:
At this, the women look toward the ships,
They are undecided, not knowing who to follow. What decides the matter is this:
Despite confirming Pyrgo’s warning, this sets the women into a frenzy, and they burn the ships. It is this act of divine interference that the games foreshadowed. It is the ultimate disrupting of merit: Pyrgo’s warning, which had helped create the women’s indecision, is proven wholly correct, yet precisely in being shown to be correct it loses its power. A further irony: Iris invokes a made-up prophecy by Cassandra; this false prophecy is heard, while Pyrgo slides into the role of the actual Cassandra, speaking an unheard truth. Truth cannot compete with divine caprice. Merit, however evident, decides nothing.
The book ends with one final assault on merit. Venus, worried, turns to Neptune, beseeching him to look kindly on Aeneas’ crew and see them safely to Italy. Neptune placates her:
He gives no reason why a life must be lost. Nor is any given later. It is a wholly arbitrary sacrifice. And, once again, it involves a mockery of merit. At night, Sleep (disguised as Phorbas) visits Palinurus as he guides the ship, trying to tempt him to abandon his post. Palinurus resists, as he ought:
Palinurus is wholly guiltless, wholly admirable, and yet:
There is no cause for this, nothing that justifies it. It is simply one more awful proof of the frailty of merit in the face of the divine will.
I began this post with a remark on the problem of induction. Against this backdrop, Aeneas’ lament for Palinurus takes on especially poignancy:
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